The Rundown: DIFFERENTIATION IN THE AI AGE

DIFFERENTIATION IN THE AI AGE
đź’Ż Being ‘great’ when AI makes everyone good

Image credits: Kiki Wu / The Rundown

The Rundown: As AI-driven design makes creation accessible to anyone, Adams says there will always be room for “greats” to stand out with their judgment, empathy, and knowing what will strike a chord with the audience.

Cheung: Canva AI 2.0 can now generate and edit at the layer level — text, elements, colours. That means anyone with a vision can execute it without touching a tool. Does the gap between a great designer and an average one get smaller?

Adams: When it comes to creativity, there will always be room for “greats” to stand out from the “goods”, but the skills that you need to stand out are constantly evolving. When you think about other eras of creative change, democratisation always makes room for more expression but also enables the best in the field to push even further.

When anyone can produce something polished, what separates the work is the thinking behind it and the message it contains. Judgement and empathy become more important: the strength of the idea, the sensitivity to context, the instinct about what will resonate, and the fundamentals of creating connection with other people. These things only humans can bring, and that’s why we’ve built an agentic experience that keeps the user at the center.

This is powerful for designers, but even more so for those who need to create visual materials but aren’t designers: a marketer creating campaign materials, a wedding planner designing a seating chart, or a student’s school project.

Why it matters: For anyone in a creative role wondering what AI leaves for them and how to shine — this is the answer. AI handles the execution. What it can’t replicate is the harder stuff: knowing your audience, your instinct, and getting what actually will work. The better you are at that, the more successful you become in the age of AI.

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About michelleclarke2015

Life event that changes all: Horse riding accident in Zimbabwe in 1993, a fractured skull et al including bipolar anxiety, chronic fatigue …. co-morbidities (Nietzche 'He who has the reason why can deal with any how' details my health history from 1993 to date). 17th 2017 August operation for breast cancer (no indications just an appointment came from BreastCheck through the Post). Trinity College Dublin Business Economics and Social Studies (but no degree) 1997-2003; UCD 1997/1998 night classes) essays, projects, writings. Trinity Horizon Programme 1997/98 (Centre for Women Studies Trinity College Dublin/St. Patrick's Foundation (Professor McKeon) EU Horizon funded: research study of 15 women (I was one of this group and it became the cornerstone of my journey to now 2017) over 9 mth period diagnosed with depression and their reintegration into society, with special emphasis on work, arts, further education; Notes from time at Trinity Horizon Project 1997/98; Articles written for Irishhealth.com 2003/2004; St Patricks Foundation monthly lecture notes for a specific period in time; Selection of Poetry including poems written by people I know; Quotations 1998-2017; other writings mainly with theme of social justice under the heading Citizen Journalism Ireland. Letters written to friends about life in Zimbabwe; Family history including Michael Comyn KC, my grandfather, my grandmother's family, the O'Donnellan ffrench Blake-Forsters; Moral wrong: An acrimonious divorce but the real injustice was the Catholic Church granting an annulment – you can read it and make your own judgment, I have mine. Topics I have written about include annual Brain Awareness week, Mashonaland Irish Associataion in Zimbabwe, Suicide (a life sentence to those left behind); Nostalgia: Tara Hill, Co. Meath.
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