The St. John (According to Thoreau)

The Wreck of the Famine Ship St. John (According to Thoreau)

He encountered the tragedy while visiting Cape Cod

On Oct. 7, 1849, the brig St. John struck Grampus Ledge off the coast of Cohasset during a sudden and furious storm.

The St. John was known as a famine ship because its passengers were mostly destitute Irish emigrants fleeing the great famine. An estimated 20 percent died of disease or starvation aboard the famine ships, but more than a hundred died in the wreck of the St. John.

Henry David Thoreau happened to visit Cape Cod as the victims were gathered and buried. His account forms the opening chapter of his book Cape Cod.

Wreck of the St. John

Thoreau, who lived in Concord, Mass., decided he wanted to get a better view than he’d had of the ocean. He and a companion, the poet William Ellery Channing, left Concord for Boston on Oct. 9, 1849. On reaching Boston they learned the steamship to Provincetown hadn’t arrived because of a violent storm. They saw in the streets a handbill that said, “Death! 145 lives lost at Cohasset.”

thoreau-wheeler-hanty-thoreau

Henry David Thoreau

So they decided to take the train to Cohasset.

Ezoic

“We found many Irish in the cars, going to identify bodies and to sympathize with the survivors, and also to attend the funeral which was to take place in the afternoon,” Thoreau wrote.

When they arrived, nearly every passenger headed to the beach and many others flocked in from the nearby countryside.

“As we passed the graveyard we saw a large hole, like a cellar, freshly dug there,” he wrote. And “we met several hay riggings and farm-wagons coming away toward the meeting house, each loaded with three large, rough deal boxes. We did not need to ask what was in them.”

Thoreau learned the St. John, from Galway, had wrecked on Sunday morning. The sea on Tuesday still broke violently on the rocks. Thoreau probably did not then know that the captain, Martin Oliver, hadn’t exactly tried to save the passengers.

Martin Oliver

According to the Boston Daily Bee, before the ship smashed against the rock,

…the jolly boat was hanging by the tackle, alongside, when the stern ringbolt broke and the boat fell into the water. The Captain, second mate and two boys jumped in to get her clear, when about 25 passengers jumped in and swamped her. The twenty-five, together with the second mate and two boys, perished. The captain caught a rope hanging over the quarter, and was drawn on board by the first mate. When the long boat was got clear, a number of passengers jumped over to swim to her, but all perished. The captain, first mate (Mr. Crawford), and seven of the crew swam to and reached the boat.

Large Boxes

On the beach in Cohasset, Thoreau noted 18 or 20 of the large boxes lying on a green hillside and surrounded by a crowd. People had collected the bodies, some 27 or 28, and brought them there. “Some were rapidly nailing down the lids, others were carting the boxes away, and others were lifting the lids, which were yet loose, and peeping under the cloths, for each body, with such rags as still adhered to it, was covered loosely with a white sheet.”

Ezoic

He witnessed no sign of grief, he wrote, “but there was a sober dispatch of business which was affecting.”

“I saw many marble feet and matted heads as the cloths were raised, and one livid, swollen and mangled body of a drowned girl, — who probably had intended to go out to service in some American family,–to which some rags still adhered…”

Sometimes, he wrote, he saw two or more children or a parent and child in the same box. “On the lid would perhaps be written with red chalk, “Bridget such-a-one, and sister’s child.”

The shore along the border of Scituate and Cohasset.

The Remains of the St. John

Ezoic

Thoreau then walked along the beach and saw in a cove bits of a ship and a great quantity of feathers. A sailor told him that was the St. John. Then Thoreau looked out at Grampus Rock and saw part of the vessel sticking up.

In a second cove the wreckage on shore piled up several feet deep, with an occasional bonnet or jacket on it.

“In the very midst of the crowd about this wreck, there were men with carts busily collecting the seaweed which the storm had cast up,” he wrote. Sometimes they had to separate clothing fragments from the seaweed.

Thoreau then discovered a part of one side of the St. John behind some rocks. He estimated its size as 40 feet long and 14 feet wide.

Ezoic

“I was even more surprised at the power of the waves, exhibited on this shattered fragment, than I had been at the sight of the smaller fragments before,” he wrote. “The largest timbers and iron braces were broken superfluously, and I saw that no material could withstand the power of the waves; that iron must go to pieces in such a case, and an iron vessel would be cracked up like an egg-shell on the rocks.”

The Funeral

Then, in the afternoon, Thoreau and Channing saw the funeral procession at a distance. The captain and the other survivors of the St. John walked at the head of it.

Cohasset Central Cemetery

“On the whole, it was not so impressive a scene as I might have expected,” he wrote. “If I had found one body cast upon the beach in some lonely place, it would have affected me more. I sympathized rather with the winds and waves, as if to toss and mangle these poor human bodies was the order of the day.”

Ezoic

Thoreau concluded his essay on the wreck of the St. John with the observation that the victims had come to the New World as Columbus or the Pilgrims had.

“[B]ut, before they could reach it, they emigrated to a newer world than ever Columbus dreamed of, yet one of whose existence we believe that there is far more universal and convincing evidence — though it has not yet been discovered by science…”

Most of the victims today lie buried in Cohasset Central Cemetery.

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Choice of Christmas songs from canisgallicus.com via YouTube

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X Dan O’Brien

Threats to undersea infrastructure are now getting massive, almost daily attention. So reassuring to know from yesterday’s Sunday Times interview that Ireland’s spooks have it all under control. https://ft.com/content/98640358-c166-4f1b-a1da-b37170aabf99

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Carl Jung. Free yourself from everything that limits you. Detoxify your Mind

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Big Think: 3 powerful mind states. Flow state, good anxiety and Zen Buddhism. Flow more, Cling Less

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GZERO Revisiting the top geopolitical risks of 2025 : ask ian

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WW1 … why we need to see end to wars, all told 60, in the world today. “Christmas in the Trenches” John McCutcheon

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Futurism: Gen Z Terrified of Losing Their Humanity to AI

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Scared Straight

Gen Z Terrified of Losing Their Humanity to AI

Pure terror.

By Joe Wilkins

Published Dec 23, 2025 12:27 PM EST

As AI becomes more ubiquitous, Gen Z students are starting to freak out about its effects on their brains.
Getty / Futurism

As generative AI seeps into virtually every aspect of our daily lives through jobsentertainment, and even food, you gotta wonder: is anyone not on board with the AI takeover?

Apparently not. Former McKinsey analyst turned Dartmouth University professor Scott Anthony told Fortune that one of the feelings he’s seeing more and more among college students isn’t excitement for the AI future, but utter terror.

“One of the things that really surprises me consistently is how scared our students are of using it,” Anthony said of large language models (LLMs). The fear isn’t just over typical academic issues like cheating, he told Fortune, but about losing their critical thinking skills to the machine — they’re “scared full stop.”

“There’s something about AI where people, I think, worry that they’ll lose their humanity if they lean too much into it,” Anthony explained. “History teaches me very clearly that in the middle of a change like this, it’s very messy.”

The Dartmouth prof contrasted his student’s anxieties to those of his fellow tenured professors, who are typically eager to try out the latest LLM software. It’s not hard to see why this is the case — with a cushy gig at one of the nation’s elite universities, Dartmouth faculty are free from the economic horror story that is the AI boom. For students entering today’s job market, the future looks far less secure.

But even beyond career viability, students’ anxieties that AI use could make them dumber aren’t unfounded. One headline-inducing study from MIT earlier this summer split participants into three groups to compete tasks like writing essays: one which used LLMs, one which used common search engines, and one “brain only group.”

Compared to the other groups, the researchers found that the LLM group had an easier time writing their essays, though this “came at a cognitive cost, diminishing users’ inclination to critically evaluate the LLM’s output or ‘opinions,’” the paper explained. Basically, the group using AI gravitated toward an echo chamber moderated by AI, not by their own brains.

On top of that, participants in the brain-only group reported “higher satisfaction” with their essays, and “demonstrated higher brain connectivity” than the others.

In other words, it seems Gen Z has a right to be scared.

More on AI: AI Sends School Into Lockdown After It Mistook a Student’s Clarinet for a Gun

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Terrorist Attacks Targeting European Christmas Markets (2000-2025)

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@visegrad24

9 times foreigners carried out or tried carrying out mass-murders at European Christmas markets Without mass-immigration, Europeans would be able to visit Christmas markets in peace

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Futurism: AI Is a Godsend for Criminals Forging Fake Art

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https://c634173769f666c52cc43a4b9d269c04.safeframe.googlesyndication.com/safeframe/1-0-45/html/container.html Artificial Intelligence Ethics

For Art’s Sake

AI Is a Godsend for Criminals Forging Fake Art

AI presents a radical new escalation of the art world’s oldest crime.

By Joe Wilkins

Published Dec 23, 2025 2:23 PM EST

Artificial intelligence is making it easier than ever for criminals and unsuspecting art collectors to pass fake art off as authentic.
Illustration by Tag Hartman-Simkins / Futurism. Source: Willem van Aelst

For hundreds of years, humans have engaged in the fine craft of art forgery. Indeed, in 1496, a 21-year-old Michelangelo faked a piece of a Roman sculpture, passing it to the Roman antiquarian Cardinal Raffaele Riario to make a quick buck.

To pull off the con, the young Florentine artist rubbed acidic loam — dirt, basically — onto his own sculpture fragment in order to pass it off as one of the ancients. Had he been born a few hundred years later, he might have used ChatGPT.

New reporting by the Financial Times details the recent rise in art forgeries fueled by generative AI tools. Specifically, the outlet reports that art owners are using documents generated by AI in order to “prove” the authenticity and provenance of various pieces, to the frustration of fine art underwriters and brokers.

In the art world, provenance is the record of ownership of a specific piece, allowing collectors and art brokers to trace a work’s lineage.

“Chatbots and large language models [LLMs], are helping fraudsters convincingly forge sales invoices, valuations, provenance documents and certificates of authenticity,” Olivia Eccleston, a fine art broker at insurance firm Marsh McClennan, told the FT.

According to Eccleston, AI has “added a new dimension to an age-old problem of fakes and fraud in the art market.”

One insurance adjuster who spoke to the publication says they were sent dozens of certificates as part of a loss claim on a large collection of paintings. Though the documents “seemed convincing,” clues in the metadata led the adjuster to conclude that the entire art collection was a fake.

Interestingly, the FT notes that only a portion of documented AI use for fraud was intentional. In other cases, collectors used AI to find provenance of various works in reference databases — results that the tech hallucinated.

One analyst at art research firm Flynn and Giovani called AI in that context “quite conniving,” saying it “has to come up with an answer, so if you give it enough information, it will guess something.”

While adjusters are also utilizing AI to help keep up with the rising tide of fakes, Grace Best-Devereux, a claims adjuster at the claims investigation firm Sedgwick, told the FT it’s becoming difficult to stay ahead of the curb, given the ease with which fraudsters can now fake highly-probable documents.

“We’re at this precipice where it might not be possible for me to look at it and say ‘the text looks wrong, and I need to investigate this further,’” she said.

More on art: Acclaimed Movie Secretly Contained AI Generated Imagery

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