Futurism: AI Is a Godsend for Criminals Forging Fake Art

Futurism Logo

https://c634173769f666c52cc43a4b9d269c04.safeframe.googlesyndication.com/safeframe/1-0-45/html/container.html Artificial Intelligence Ethics

For Art’s Sake

AI Is a Godsend for Criminals Forging Fake Art

AI presents a radical new escalation of the art world’s oldest crime.

By Joe Wilkins

Published Dec 23, 2025 2:23 PM EST

Artificial intelligence is making it easier than ever for criminals and unsuspecting art collectors to pass fake art off as authentic.
Illustration by Tag Hartman-Simkins / Futurism. Source: Willem van Aelst

For hundreds of years, humans have engaged in the fine craft of art forgery. Indeed, in 1496, a 21-year-old Michelangelo faked a piece of a Roman sculpture, passing it to the Roman antiquarian Cardinal Raffaele Riario to make a quick buck.

To pull off the con, the young Florentine artist rubbed acidic loam — dirt, basically — onto his own sculpture fragment in order to pass it off as one of the ancients. Had he been born a few hundred years later, he might have used ChatGPT.

New reporting by the Financial Times details the recent rise in art forgeries fueled by generative AI tools. Specifically, the outlet reports that art owners are using documents generated by AI in order to “prove” the authenticity and provenance of various pieces, to the frustration of fine art underwriters and brokers.

In the art world, provenance is the record of ownership of a specific piece, allowing collectors and art brokers to trace a work’s lineage.

“Chatbots and large language models [LLMs], are helping fraudsters convincingly forge sales invoices, valuations, provenance documents and certificates of authenticity,” Olivia Eccleston, a fine art broker at insurance firm Marsh McClennan, told the FT.

According to Eccleston, AI has “added a new dimension to an age-old problem of fakes and fraud in the art market.”

One insurance adjuster who spoke to the publication says they were sent dozens of certificates as part of a loss claim on a large collection of paintings. Though the documents “seemed convincing,” clues in the metadata led the adjuster to conclude that the entire art collection was a fake.

Interestingly, the FT notes that only a portion of documented AI use for fraud was intentional. In other cases, collectors used AI to find provenance of various works in reference databases — results that the tech hallucinated.

One analyst at art research firm Flynn and Giovani called AI in that context “quite conniving,” saying it “has to come up with an answer, so if you give it enough information, it will guess something.”

While adjusters are also utilizing AI to help keep up with the rising tide of fakes, Grace Best-Devereux, a claims adjuster at the claims investigation firm Sedgwick, told the FT it’s becoming difficult to stay ahead of the curb, given the ease with which fraudsters can now fake highly-probable documents.

“We’re at this precipice where it might not be possible for me to look at it and say ‘the text looks wrong, and I need to investigate this further,’” she said.

More on art: Acclaimed Movie Secretly Contained AI Generated Imagery

Unknown's avatar

About michelleclarke2015

Life event that changes all: Horse riding accident in Zimbabwe in 1993, a fractured skull et al including bipolar anxiety, chronic fatigue …. co-morbidities (Nietzche 'He who has the reason why can deal with any how' details my health history from 1993 to date). 17th 2017 August operation for breast cancer (no indications just an appointment came from BreastCheck through the Post). Trinity College Dublin Business Economics and Social Studies (but no degree) 1997-2003; UCD 1997/1998 night classes) essays, projects, writings. Trinity Horizon Programme 1997/98 (Centre for Women Studies Trinity College Dublin/St. Patrick's Foundation (Professor McKeon) EU Horizon funded: research study of 15 women (I was one of this group and it became the cornerstone of my journey to now 2017) over 9 mth period diagnosed with depression and their reintegration into society, with special emphasis on work, arts, further education; Notes from time at Trinity Horizon Project 1997/98; Articles written for Irishhealth.com 2003/2004; St Patricks Foundation monthly lecture notes for a specific period in time; Selection of Poetry including poems written by people I know; Quotations 1998-2017; other writings mainly with theme of social justice under the heading Citizen Journalism Ireland. Letters written to friends about life in Zimbabwe; Family history including Michael Comyn KC, my grandfather, my grandmother's family, the O'Donnellan ffrench Blake-Forsters; Moral wrong: An acrimonious divorce but the real injustice was the Catholic Church granting an annulment – you can read it and make your own judgment, I have mine. Topics I have written about include annual Brain Awareness week, Mashonaland Irish Associataion in Zimbabwe, Suicide (a life sentence to those left behind); Nostalgia: Tara Hill, Co. Meath.
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a comment